FRICÇÕES DO TEMPO NA EXISTÊNCIA FOTOGRÁFICA: REFLEXÕES A PARTIR DE IMAGENS FEITAS EM ESCOLAS DURANTE A PANDEMIA

Abstract

Photography is intimately related to time from the moment of the click, through its processing, to the moment when the image is captured by the spectator and its duration as an object. Despite this being a topic with several possibilities of analysis, the approach of this work is about the temporality of the hybrid photographic image which combines contemporary techniques with ancient techniques. Probably resorting to the photographic processes of the 19th century, we would be impregnating with finitude the digital images that at first would have no end in an attempt to rescue the aura. Furthermore, the temporality that unites past and present in a single image, through hybrids between ancient and contemporary photographic techniques, makes the image a kind of object where a controlled anachronism takes place.