Sophocles’ Antigone and Anouilh’s Antigone
One Myth, two Readings
DOI:
https://doi.org/10.5752/P.1678-3425.2024v9n17p15-28Keywords:
Sophocles, universal justice, dictatorship, opposition, Anouilh, pragmatism, idealism, non-conformityAbstract
Comparing the plays that Sophocles and Anouilh dedicated to the myth of Antigone is like rewriting a famous episode, enshrined in tragic form by a genius creation in 5th century Athens BC, into a human drama tailored to Europe at the time of the Second World War. Essentially, the focus shifts from the centrality of the action to the personal experiences of the characters. More than the great principles based on justice and morality, what Anouilh questions is the tension that arises between the human forces that coexist in a society, in other words, between two antagonistic ways of looking at life: masculine pragmatism, embodied in Creon, and pure feminine idealism, represented in Antigone.
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