Modernism/Hypermodernism: the Italian contemporary debate
DOI:
https://doi.org/10.5752/P.2358-3428.2021v25n55p428-456Keywords:
Modernism, Hypermodernism, Brazilian Literature, Italian LiteratureAbstract
This article has as its goal to bring to the Brazilian literary debate a current discussion in the Italian Literature critic about what the actual specialized critics understanding as Hypermodernism, which is, a literature which writers return to the bases of the Modernism willing to build a form to a troubled experience in the 21th century. To illustrate the debate we intend to present two Italian contemporary critics’ perspective: Raffaele Donnarumma and Remo Ceserani, which articles conflict in what they understand by words such as “modernity”, “modernism”, “post-modernity”, “post-modernism” and, at last, “hypermodernism”. We believe that this discussion may collaborate to the Brazilian Literature area of studies and offer new points of view that allow to analyze the Brazilian Modernism and its contemporary literature.
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References
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