Fundamentos do barroco como amálgama da religião e da política (Foundations of the Baroque as an amalgam of religion and politics) - DOI: 10.5752/P.2175-5841.2013v11n31p944
Article Sidebar
Main Article Content
Abstract
Partimos do pressuposto que a arte é a revelação da profundidade do ser humano e que manifesta a sua busca pela verdade e pelo sentido de sua existência. O nosso objetivo foi descrever os fundamentos da arte barroca na consolidação e na propagação de verdades religiosas e políticas. Teremos como principal referência a igreja barroca de Santo Antônio, componente do Centro Cultural de São Francisco, localizada na cidade de João Pessoa, no nordeste do Brasil. A metodologia utilizada foi a pesquisa descritiva tendo como instrumento a análise textual discursiva por meio da qual fizemos uma breve recapitulação do contexto nascente do barroco na Europa. Em seguida, apresentamos as suas características e, por último, as suas peculiaridades no Brasil. Como primeiro resultado da pesquisa foi possível considerar o barroco e o seu imaginário como fontes de verdade, superando a lógica binária do terceiro excluído, e, reconhecendo que o barroco funcionou como amálgama da sociedade colonial brasileira por meio das práticas religiosas e das vicissitudes políticas.
Palavras-chave: Barroco. Política. Imaginário. Arte.
Abstract
We assume that art is the revelation of the depth of the human being and it expresses the human search for truth and meaning of the existence. This text aims to describe the basis of Baroque art in the consolidation and spread of political and religious truths. We will have as main reference the baroque church of St. Anthony, a component of the Cultural Center of San Francisco, located in the city of João Pessoa, in northeastern Brazil. The methodology used was descriptive and textual analysis as a tool through which we did a brief recapitulation of the context of the nascent Baroque in Europe. Then, we will present the characteristics of Baroque and finally its peculiarities in Brazil. As a first result of the research it was possible to consider the Baroque and its imagery as a source of truth, overcoming the binary logic of the excluded middle, and, recognizing that Baroque functioned as the amalgam of the Brazilian colonial society through religious practices and political setbacks.
Keywords: Baroque. Politics. Art and Imagination. Setbacks.Downloads
Article Details
I (We) submit the present work, which is original and unpublished, authored by me (us), for evaluation by HORIZONTE – Revista de Estudos de Teologia e Ciências da Religião, and agree to grant the corresponding publication rights to Editora PUC Minas. I (We) declare that its content, in whole or in part, may be copied, distributed, edited, remixed, and used to create other works, in accordance with applicable copyright and related rights legislation, in any medium, print or electronic, provided that proper credit is given to the text and authorship, including reference to HORIZONTE.
I (We) further declare that there are no conflicts of interest of a personal, academic, institutional, or financial nature between the subject addressed, the author(s), and any companies, institutions, or individuals.
I (We) acknowledge that HORIZONTE is licensed under the Creative Commons Attribution 4.0 International (CC BY 4.0) license:
This work is licensed under a Creative Commons Attribution 4.0 International License.
Under this license, I (we) authorize, “to maximize the dissemination of information,” that others may share, distribute, remix, adapt, and build upon this work, including for commercial purposes, provided that appropriate credit is given to the original authorship.