ONTOLOGY AND VISUAL POETICS IN THE SPECTACLE ADAM’S PASSION, BY ROBERT WILSON
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Abstract
The artist Robert Wilson is an important character to contemporary theater, as his theatrical performances are composed by virtuous visuality, which is reproduced in metaphors and signs that need to be unraveled by the viewers according to their observation about the work. Being from his artistic and personal trajectory that we perceive the construction of his scenic identity, and also the way his works are conceived. For one of the artist's forms of poetic enunciation happens through the freedom given to the audience to experience it, making his performances a set of the spectrum of landscapes to be elucidated by the work's observer. Because of this, in order to enter into ontological issues evoked by the artist's visuality, it is necessary that we go through triggers arising from his personal life, as this was one of the main instances that caused conceptual issues to be explored scenically by this theatrical director over the years. Therefore, for us to funnel this study, we will visualize the paths of the narrative of the biblical character Adam, in the show Adam’s Passion. Furthermore, our methodological materials for this investigation are intertwined in the thoughts of art ontology, concatenated by Currie (1989), and also in the path indicated by the analysis of spectacles approach, by Belém (2014).
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