Uneven critical seascapes:
(Re)Orienting Indian Ocean literary studies towards the debate on world-literature
DOI:
https://doi.org/10.5752/P.2358-3428.2024v28n64p47-84Keywords:
Indian Ocean Literatures, world-literature, language, nation, João Paulo Borges CoelhoAbstract
The Indian Ocean has been defined and addressed as a transnational critical and literary paradigm for the construction of multilingual comparative cartographies for the study of African literatures (Hofmeyr, 2007). The scholarship in Indian Ocean literary studies has stood out for its critical ambition and theoretical boldness in defining new concepts and corpus, outlining original definitions for aesthetic and literary forms of the Indian Ocean world (Samuelson, 2017). Analyzing the state of the art within this debate, some questions can be raised: to what extent is the Indian Ocean literary world capable of responding to problems and blind-spots that characterize the field of literary studies, today? How can aesthetics and literary forms of the Indian Ocean be observed (or not) as paradigmatic registration of the world-literary system? This chapter intends to partially rehearse answers to these questions, tacking the Indian Ocean as an uneven literary seascape and therefore striving to outline a selection of literary forms that point to its material (re)composition.
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