Cheer
A memorialistic documentary to think about power and gender relations in sport
DOI:
https://doi.org/10.5752/P.2237-9967.2024v13n23p116-131Keywords:
Cheerleading, Produtos memorialísticos, Gênero, Relações de poderAbstract
This article seeks to analyze how memory disputes take place in the accounts present in the documentary series "Cheer", released in 2020 by Netflix, addressing issues of gender and power relations present in sport. We understand that the series is configured as a memorial product and, for this reason, the analysis of the material was based on the accounts of memory present in the production. Concepts such as memory, place of memory and disputes over memories are used, as well as discussions on gender and power relations for the discursive analysis of the accounts present in the two seasons. As a result, we identified disputes over meanings, controversies and the crossing of other memories that go beyond the script, enabling an arena of new disputes over the memory of Cheerleading and the series.
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