Vol. 27 No. 61 (2023): Escrita de autoria feminina contemporânea

View Vol. 27 No. 61 (2023): Escrita de autoria feminina contemporânea
Published: 2024-06-12

Full Issue

Editorial

  • Perspectivas globais sobre a literatura de autoria feminina

    Priscila Campello, Pauline Kaldas, Rebecca Atencio
    9-16
    DOI: https://doi.org/10.5752/P.2358-3428.2023v27n61p9-18

Dossiê temático

  • Psychological violence in contemporary literature: scenes of the invisible

    Daniel Almeida Machado, Angela Maria Guida
    18-49
    DOI: https://doi.org/10.5752/P.2358-3428.2023v27n61p18-49

  • Compose with: crossing voices in the body of writing

    Luciéle Bernardi de Souza, Luciane Bernardi de Souza
    50-79
    DOI: https://doi.org/10.5752/P.2358-3428.2023v27n61p50-79

  • Minha casa é onde estou: escrevivência, identidade e decolonialidade em Igiaba Scego

    Daniela Araújo Virgens, Adriana de Borges Gomes
    80-110
    DOI: https://doi.org/10.5752/P.2358-3428.2023v27n61p80-110

  • The writing of Sally Rooney and the convergences with the Flâneur

    Andressa do Nascimento Gonçalves
    111-134
    DOI: https://doi.org/10.5752/P.2358-3428.2023v27n61p111-134

  • “Grandma, are you a lesbian?”: compulsory heterosexuality and plural lesbian existences in Natalia Borges Polesso

    Larissa Dias Barbosa
    135-162
    DOI: https://doi.org/10.5752/P.2358-3428.2023v27n61p135-162

  • “Manifiesta no saber firmar, nacido: 31 de diciembre” de Estercilia Simanca Pushaina o nome próprio como território

    Tatiane Silva Santos, Shirlene Rohr de Souza
    163-187
    DOI: https://doi.org/10.5752/P.2358-3428.2023v27n61p163-187

  • The Contemporary Gothic: Backwards Motherhood In The Shortstory “Conservas”, By Samanta Schweblin

    Fabianna Simão Bellizzi Carneiro, Marisa Martins Gama-Khalil
    188-216
    DOI: https://doi.org/10.5752/P.2358-3428.2023v27n61p188-216

  • Ângela Lopes Galvão and Celinha: pioneering women of Cadernos Negros

    Ricardo Silva Ramos de Souza
    217-245
    DOI: https://doi.org/10.5752/P.2358-3428.2023v27n61p217-245

  • “Poetry must be kept”: the instant and nature in Lenilde Freitas

    Thaísa Rochelle Pereira Martins, José Hélder Pinheiro Alves
    246-271
    DOI: https://doi.org/10.5752/P.2358-3428.2023v27n61p246-271

  • The representation of the female figure in Ida Vitale’s poetry

    Ana Carolina Oliveira Freitag
    272-297
    DOI: https://doi.org/10.5752/P.2358-3428.2023v27n61p272-297

  • Notas do teatro do absurdo em As aves da noite, de Hilda Hilst

    Ana Cristina Steffen
    298-323
    DOI: https://doi.org/10.5752/P.2358-3428.2023v27n61p298-323

  • A quebra do horizonte de expectativas sobre as obras literárias de mulheres negras caribenhas

    Jhonnatas dos Santos Sousa, Alcione Correa Alves, Cristiane Viana da Silva Fronza
    324-351
    DOI: https://doi.org/10.5752/P.2358-3428.2023v27n61p324-351

Creative texts

  • A much larger room: a dialogue with Virginia Woolf on a young woman’s experience in Northeast Brazil academia

    Jorge Luiz Adeodato Junior, Joana Dávila Jovino Farias
    353-375
    DOI: https://doi.org/10.5752/P.2358-3428.2023v27n61p353-375

  • Orchestral Interludes

    Pauline Kaldas
    376-379
    DOI: https://doi.org/10.5752/P.2358-3428.2023v27n61p376-379

  • Poemas

    Lisa Suhair Majaj
    380-388
    DOI: https://doi.org/10.5752/P.2358-3428.2023v27n61p380-388

Livre

Resenhas

  • Ana Martins Marques risca o silêncio

    Pâmela Nogarotto
    447-452
    DOI: https://doi.org/10.5752/P.2358-3428.2023v27n61p447-452

  • Efeitos feministas na nova geração de poetas brasileiras: As 29 poetas hoje

    Taís Bravo Cerqueira
    453-461
    DOI: https://doi.org/10.5752/P.2358-3428.2023v27n61p453-461